By David Camp

Reflecting on Norman Rockwell’s famous Thanksgiving painting, Freedom from Want, a thoughtful essayist recently wrote: “Freedom from Want… is especially telling, for the scene it depicts is joyous but defiantly unostentatious. There is a happily gathered family, there are plain white curtains, there is a large turkey, there are some celery stalks in a dish, and there is a bowl of fruit, but there is not a hint of overabundance, overindulgence, elaborate table settings, ambitious seasonal centerpieces, or any other conventions of modern-day shelter-mag porn. It was freedom from want, not freedom to want—a world away from the idea that the patriotic thing to do in tough times is go shopping.”
O.K., self-aggrandizement alert: that essayist was me, and the piece was “Rethinking the American Dream,” from the April 2009 issue of V.F. And that article paved the way for a sequel of sorts, “Norman Rockwell’s American Dream,” that ran in the November 2009 issue. In pondering Rockwell’s painting in the context of recent times, illustrator Ross MacDonald and I considered what an inversion of Freedom from Want would look like. We decided that its star would be inmate number 61727-054, Bernie Madoff, who would step into the Grandma role. And we thought that this new tableau, depicting the notoriously incarcerated and soon-to-be-incarcerated, should be called Wanting for Freedom.
Reflecting on Norman Rockwell’s famous Thanksgiving painting, Freedom from Want, a thoughtful essayist recently wrote: “Freedom from Want… is especially telling, for the scene it depicts is joyous but defiantly unostentatious. There is a happily gathered family, there are plain white curtains, there is a large turkey, there are some celery stalks in a dish, and there is a bowl of fruit, but there is not a hint of overabundance, overindulgence, elaborate table settings, ambitious seasonal centerpieces, or any other conventions of modern-day shelter-mag porn. It was freedom from want, not freedom to want—a world away from the idea that the patriotic thing to do in tough times is go shopping.”
O.K., self-aggrandizement alert: that essayist was me, and the piece was “Rethinking the American Dream,” from the April 2009 issue of V.F. And that article paved the way for a sequel of sorts, “Norman Rockwell’s American Dream,” that ran in the November 2009 issue. In pondering Rockwell’s painting in the context of recent times, illustrator Ross MacDonald and I considered what an inversion of Freedom from Want would look like. We decided that its star would be inmate number 61727-054, Bernie Madoff, who would step into the Grandma role. And we thought that this new tableau, depicting the notoriously incarcerated and soon-to-be-incarcerated, should be called Wanting for Freedom.
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